Showing posts with label illustrations. Show all posts
Showing posts with label illustrations. Show all posts

Wednesday, 4 September 2013

Favourite Find:: McKean Studio Silk Scarves



I love a good scarf, in case you hadn't ever noticed (in which case, how did you not notice this?!). For me, a scarf is an easy way to spice up an outfit, add a bit of personality, and best of all for me - colour!

When I was younger I used to scour the markets searching for souvenir scarves. I collected Canada, New Zealand, Fiji, and a couple of others that I can't quite remember. I have a bit of a *thing* for souvenir scarves - and clearly a thing for souvenir scarves of places I've never been (except for NZ, I've been there).

Sydney-sider Megan McKean, illustrator/designer/owner/maker has created a dreamy range of cotton-silk souvenir scarves digitally printed with her illustrations inspired by her travels.

Can you imagine my glee?

But if you're not into wearing scarves, then these are beautiful as a framed artwork, or the perfect gift.

And the palettes are so fruit tingle-y beautiful, I can imagine they'd work well with my wardrobe.

McKean Studio Palm Springs, California silk cotton scarf $75 (other cities available)


**Favourite Find is my new *thing* where I share something I fancy each week from an Australian retailer. They're not paid spots, it's truly things I find that I dig and want to share. And they all lived happily ever after. 

Wednesday, 6 June 2012

Really Rather Super


How cool is this video for Pottery Barn?

The simplicity. The palette. The print and pattern. The small people. And the illustration.

I think I've gone to heaven.

Tuesday, 24 August 2010

Interview:: Oslo Davis

Corner of LaTrobe and William Streets, Monday 10am
"As I told him, losing ten kilograms could be the difference between losing your job and keeping it."

Queen Street, Tuesday 4pm
Woman 1: "Now that's how dinner should be: loud."
Woman 2: "Yeah, but not so aggressive."

Oslo Davis is an international man of mystery. Trust me, I've been sitting here googling images of him, to no avail. According to Google Images he's a black and white line drawing. But no matter, the show will go on, with or without a headshot.

Oslo has finetuned the art of eavesdropping - into his very own style. You've probably seen Oslo's work in The Age. His new book Overheard is a collection of more than 100 cartoons that have featured in the Sunday Age.

PMM: You have a new book Overheard. Are there any particularly salacious overheard conversations that you couldn't include in the book?

Oslo Davis: I've been quite fortunate in getting almost all Overheards past my editor, but there was one that didn't get through featuring a couple walking out of the law courts swearing their heads off about somebody. I find too that people's voices drop when they get talking about anything juicy. I try to lean in, but I sense their forcefield go up.


When did you start illustrating overheard conversations?

I did a drawing for A2 in The Age about what people were saying outside a theatre during interval and from that an editor thought it would make a nifty regular cartoon.


When I am busy eavesdropping I am paranoid the person speaking will catch on that I am listening. How do you make yourself look inconspicuous? A fake moustache doesn't seem to cut it for me. Earphones that aren't plugged in? Bugging devices?

Turning the iPod definitely helps. As does following from in front (an old trick I learnt from episodes of The A Team). The key thing is pretending to be engaged in something else - reading a newspaper, browsing some jeans. Even mindless talking to a friend, but bending an ear to a nearby gas-bagger is doable.


Tell us about the process for each illustration.

I store up a number of overheards in a little notebook. I try to take a photo or do some sketches of the scene of the crime when people have moved on. Then I sit down in my studio and draw it all up, using pencils and ink wash.


As a child did you always want to become an artist?

Yeah. I always wanted to do something that used my creative brain, be it something to do with comedy, theatre, painting or drawing.


When and how did you get your 'big break'?

I've been chipping away doing drawings for years. In the early days I just drew and sketched and made my own books and newsletters of drawings and writing which I posted to friends and people who worked at magazines and newspapers. I also did a lot of free work, just to get my work into journals and magazines. Eventually the right people started to see my work and I got little drawing gigs here and there. The Age has been supportive over the years and the former editor of M Magazine gave me my first big long-term break with Overheard three years ago. I guess it was a risk for them to bring someone on who didn't have a track record of working consistently for a paper, but so far so good.


Inspiration?

Cartoonists such as Bruce Eric Kaplan, Roz Chast, Saul Steinberg. TV shows - Curb Your Enthusiasm, The Mighty Boosh and The Office. The early films of Woody Allen and anything written by David Sedaris.


Flight path for Oslo Davis - what's next on your agenda?

I currently have a Creative Fellowship at the State Library of Victoria and for that I am working on a large wordless newspaper of drawings that will hopefully be out later this year.


And something completely random that we should (or shouldn't) know about you?

I once saw a man walk to the horizon and back in a western desert in India.

----------------------

Crossley Street, near Pellegrini's, Thursday 11am
"And hey - you'll never guess who I saw weeping at the end of Mary Poppins the other night: Eddie McGuire!"

You can get your very own copy of Oslo's book - Overheard here (such a perfect gift for Father's Day - or an ace coffee table, pre-bedtime read).

Monday, 16 August 2010

Beautiful Lines





I love illustration. And I LOVE fashion illustration. It may be a little known fact that a long, long time ago in a galaxy far, far away, I worked in fashion. I loved the buzz. The giddy and exciting feeling of a new collection. Squeezing my frame into sample size (squeezing being the operative word).
David Downton worked on a huge mix of projects including advertising, packaging, fiction illustration and cookbooks before the Financial Times commissioned him in 1996 to draw at the couture shows.
In 2007 David launched Pourquoi Pas? the first ever journal of fashion illustration.
No matter his history, I'm pretty smitten with his fluid lines, and the economy of the strokes. Those few lines have the power to say so much.
all images are courtesy of David Downton

Friday, 5 February 2010

Nick Dewar:: 1973-2010




Renowned illustrator Nick Dewar died just this week at the age of 37. His artwork graced a plethora of magazines and publications, including the cover of The Devil Wears Prada.
Born in Scotland and spent his childhood growing up in a small fishing town on the East Coast, he then went on to attend art school in Glasgow. He lived in Prague, London, New York and a sheep farm in Cumbria. He recently moved from New York to Southern California, where he no longer had to bathe in his kitchen. Nick Dewar is known, and will be remembered, as one of the best illustrators of our time.
Design* Sponge were privy to his home mid-2009.
Visit
Nick Dewar's site to experience more of his brilliance.

Monday, 27 July 2009

Sunshine Blogging

I'm sitting by the window with the sunlight streaming through. The windows may be dirty but the sun knows it's way by rote. Some asked for proof that Spring is coming. Packing its bags from one part of the world, to wing into our part of the world. If this sunshine isn't enough, I don't know what is. But here you have a list that I am busy compiling:

- the birds are singing
- the cherry blossoms are starting
- the camellias are still blooming
- the magnolias are on their way in
- shy jonquils and daffodils are making an entrance
- I can stand to be oustide for longer, even hanging the clothes out is becoming more bearable
- the sun is hanging out with us longer

I found these books on my recent sojourn. They were 20 cents a pop, part of that haul. I didn't take them all, I didn't want to be greedy, but the illos are so very good. And the content? Timeless.

Let's Find Out About Spring - Martha & Charles Sharp, illustrated by Laszlo Roth (published 1963).

Here, let's take a peek together, shall we?

'When is spring? Spring is when it's warm enough to put away winter coats and hats and ...go out in lighter clothes.

Spring is when you can ride bicycles, go skating and play ball.'

Hey - it sounds pretty good to me.

Have you noticed any seasonal changes in your 'hood? What are they?